It goes to some deeper, stranger places toward the episode's end, but it almost feels like too little too late by that point. There are plenty of questions raised by this premise, with some of the episode's explanations working and others feeling lazy or even a little rushed. RELATED: 'Black Mirror' Season 6: Cast and Character Guide One night, she discovers that a streaming service has made a TV show about her life that makes her look worse, using a deep-faked Salma Hayek, AI, and advanced CGI to have one episode for every day of her life, which drops on the platform Streamberry on a nightly basis. It follows a woman named Joan who's not the worst person in the world, but she's not great. For better and for worse, this feels most reminiscent of Black Mirror episodes in the past, and is the only episode of season 6 that feels like it could be set in the future. "Loch Henry" might poke a little fun at streaming services like Netflix, but season 6's first episode, "Joan Is Awful," goes all-in. The reveal is also a little silly, but is made much easier to swallow in hindsight, given it's not as bad as episode 4's twist. Unfortunately, this season's second (and second-worst) episode is a bit of a bore, and feels a good 10 to 15 minutes longer than it should be, with various scenes that drag on just a bit too long. It's nothing that hasn't been said before, but covering familiar ground is okay if the angle is interesting, or the presentation of a tried-and-true narrative is simply engaging. With "Loch Henry," there's a clear intent to satirize - or at least question - the way people seem morbidly fascinated by true crime, even if it means overlooking what survivors or those related to the victims of a crime want. However, they soon become more interested in making something true crime-related, given the town is notorious for a series of crimes that happened there in the past. It follows a young couple, Davis and Pia, who travel to a small town in Scotland where Davis grew up, intending to shoot some sort of nature documentary while there (they seem weirdly under-prepared, even by film student standards). "Loch Henry" is a low-key episode that's clearly aiming to be a slow-burn with a devastating ending, but the execution leaves a good deal to be desired. It derails an otherwise alright episode, and ensures "Mazey Day" commits the unforgivable sin of wasting Zazie Beetz. It's so stupid it's almost admirable, but it also doesn't feel like it adds anything to what the episode's trying to say, and it gives the impression that writer Charlie Brooker didn't know how to end this story properly, and haphazardly decided to jump the shark instead. But the reveal towards the end is easily the silliest, goofiest, and most downright laughable Black Mirror's ever thrown at the audience. It's not bad for the first two-thirds, and it benefits from being the shortest episode of the newest season at just 40 minutes, thankfully not feeling needlessly padded out the same way the other episodes can. RELATED: 'Black Mirror's Best Episode Is the One You Least Expect It's set in the 2000s, and though no real sci-fi elements are to be found here, it does look at the media, the entertainment industry, and the power of technology (in this case, photographs) to permanently damage one's life. The most divisive episode of Black Mirror's fifth season looked at celebrities and the pitfalls of stardom, and it's a topic returned to in the weakest episode of its sixth season, "Mazey Day." Things start well enough, though, with its premise centering on a cash-strapped paparazzi who's tasked with taking a photo of a troubled actress, as there are rumors in the press surrounding her possibly struggling with addiction.
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